Archive of Digital Plants
01 – Peering into a tree
MRI images of a Japanese Pepper Bonsai (Xanthoxylum Piperitum)
Archive of Digital Plants is both a speculation on the future of digital archives and the visualisation of how organic life will be experienced and interacted with in the Metaverse. The project started in 2019 with artists Jake Tan and Ernest Wu exploring what plant life looks like through an MRI machine, and is a continuation of the artistic process of investigating the intersections between man, machine and nature.
Privately collected on Foundation, Feb 17 2022 for 1.50 ETH.
Transaction - https://etherscan.io/nft/0xa5c542d6b2679dC632d38dC124B2c8a9F13bb24f/1
ANALOGUE IS DEAD —
JAKE
TAN
“SINGAPORE: Households will have one more year to switch to Digital TV after the Infocomm Media Development Authority announced that the deadline to pull the plug on analogue TV broadcast has been shifted from end-2017 to Dec 31, 2018.”
(ChannelNewsAsia)
ANALOGUE IS DEAD was an idea about technology and society, tackling the impending doom of analogous televisions on 1 Jan 2019. Started out as an experimental film meant to provoke thought about relationship between humans and machine that grew much beyond that. Televisions would float around a space, seeming some what sentient. The tangibility of what it means to consume and to be a consumer.
We are but a part of technology, none of it and the entirety of it. Speak, just as they speak to you. The entirety of humans are analog if you think about. Our tactile touch, sight, smell; nothing inherently digital. So whatʼs next?
ANALOGUE IS DEAD was translated into 2 different mediums. Screen for Experimental Film and Interactive Dome Space.
ANALOGUE IS DEAD is a commentary on Singapore’s situation of analogous television phasing out. Throughout, the piece invokes belief of conscious, sentient life coming from the TV. An object least considered lively, which main purpose seems to create awe, wonder and imagination.We’ve looked at what it can do, now we will see from it. We see it as itself. Nothing more and nothing less. A medium and a messenger.
Let’s hear, one last time, what it has to say.
Let’s hear, one last time, what it has to say.
- Nanyang Technological University, School of Art, Design & Media, LED Wall 2018
Not What We Are Not
Curated by Teow Yue Han
2. Singapore Expo, iDome Theatre,
Campus Party 2019
Exploding The Frame
Curated by Ben Alvin Shedd
Campus Party 2019
Exploding The Frame
Curated by Ben Alvin Shedd
BIOS: Living NFTs
BIOS: Living NFTs
www.biosnft.iohttps://opensea.io/collection/bios-living-nfts
BIOSNFT is an art dynamic NFT collectible project that sees 256 unique plants grow over the course of 6 months. Inspired by variegated plant collecting and the immortalisation of virtual plants on the blockchain, each 3D plant can be viewed, owned, traded and grows from a seed to a mature plant on the blockchain. The project was borne out of a desire to utilise real world data into a changing and growing aesthetic. The premise was simple for this project, we want to recreate the realistic reality of how a plant grows in the real world, into the digital world. To achieve that, creating a dynamic NFT is the answer.
At the heart of BIOSNFT is the technology behind how the digital plants grow and is a window into what is next in the world of dynamic NFTs. These Dynamic NFTs change their aesthetic state by retrieving real-world data autonomously without interaction from the user. Produced from a combination of 3D modelling, machine learning algorithms, and procedural programming, each plant is one-of-a-kind.
Machine Learning was used to generate an infinite number of textures for the collection. As a subset of Artificial Intelligence, Machine Learning utilises a dataset of almost 1,000 images of plants taken in Singapore and then filtered to create a Generative AdversarialNetwork (GAN).
BIOSNFTs lived and grew in real-time on the Blockchain.
Opensea Collection: https://opensea.io/collection/bios-living-nfts
Contract Address: https://etherscan.io/address/0x6c0abafc02a031c6240462f8707c0913a930091e
Innovation on Existing On-Chain Technologies
The idea sprouted from our dissatisfaction of the current status quo of NFTs; they are but snapshots or frozen loops in time of what still seems to us as traditional art. The idea of a truly new media digital art work should bring in the most fundamental part of the network: Data.
Upon doing our market research in early 2021, we found an NFT that was truly dynamic, reacting to a basketball player's slam dunks over his seasons in the NBA. The numbers on the NFT were changing and we were intrigued. We spent the following months dissecting how it was done. And when we reached the conclusion, we realised that this technology can be implemented in other fields, for other purposes, beyond just slam dunks.
When we first uploaded our test onto the Blockchain Testnet and it worked, we knew BIOS would extend beyond a normal NFT art project and be a true pioneer in its own class. The implementation of a time and date verification process would allow for our plants to grow day to day, for an infinite time for as long as we keep our servers running and verifying.
The added functionality of allowing its growth rate to be affected by the value of Ethereum is very meta and apt. Plants in the real world run on light and water, and in the Blockchain, it's run by Gas in the form of Ethereum.
True Symbiosis of Art & Tech
Beyond just putting the work up on the Blockchain and employing traditional NFT marketing techniques, we're marrying that with connecting with traditional art collectors through our showcase at Hatch Art Project gallery. This will be the first time any NFT Collectible Art project is dropping at a physical venue in collaboration with an art gallery.
Even though it might only seem like a logistical issue, there are many operational procedures that need to be thought out to facilitate a physical gallery with traditional art collector who are not onboarded into the space. Since the inception of the gallery, all the parties involved have figured out effective methodologies and operational processes that will allow for the easy onboarding of traditional art collectors and the buying and selling procedures between the client, gallery and NFT artists.
Publication
Media
(BIOS: Living NFTs on Opensea, captured on 1 Dec 2022)
BIOS: Digital Nature
BIOS: Digital Nature
National Design Center, as part of Singapore Night FestivalPhygital Exhibition
BIOS: Digital Nature is the third presentation of the BIOS: Living NFTs project for the annual Singapore Night Fest 2022; presented by the creative team at SERIAL CO_ in collaboration with Singapore based architecture studio, Office Of_ and local horticulturist, Fabian Ong.
Living, not alive, these plants are fully digital, inhabitants of the virtual. A selection of plants from this collection, 6 months into their growth phase, will be featured in custom terrariums featuring both the digital and real counterpart. Our encounters with nature have changed and even expanded. Bios explores the relationships between nature and ourselves, the extents of hyperreality, ownership and territory.
A digital plant evokes a captivating experience just like that of a physical plant, evoking a sense of presence, companionship and comfort.
PLANT BOX
2022
Two 55 inch LED TV, Philodendron Billietiae, Anthurium Warocqueanum, Monstera Deliciosia Albo var. Borsigiana, Custom Acrylic and Wood Structure, 3-channel audio, 85 x 85 x 210cm.
Plant Box presents three plants from the BIOS: Living NFT collection. Continuing in their exploration of plants living, yet not alive - the digital nature of plants is explored by bringing together the inspiration for the work in the form of a real plant and its digital counterpart.
The structures explore the interaction between nature and technology and come together in an installation where both objects simultaneously co-exist. The work invites people to question our relationship with nature in the digital realm and is accompanied by both digitally recreated and recorded sounds, blurring the distinction between what is real and what is not.
The work comes together in an immersive experience where one can circumnavigate the structure and explore the differences and similarities between our encounters with the virtual and the real.
2022
Two 75 inch LED TV, Custom Wood Structure, 2-channel audio, 190 x 100 x 40 cm.
Clouded by fog, HOTHOUSE is an interactive work that only clears up to reveal the aerial view of a virtual greenhouse only when visitors approach the work. Housing plants from the BIOS: Living NFT collection, the imagined greenhouse provides a glimpse into an imagined virtual space where the BIOS plants grow, and have been growing for the past 6 months; nearing their end of their digital growth cycle.
BIOS: A Conversation with the Wind
BIOS: A Conversation with the Wind
Generative ArtTouch Designer
A Conversation with the Wind takes the Assets of the mainline BIOS: Living NFT and abstracts them and gives them a new life. Inspired by how foliage interacts with different types of air, the system created takes into account different physical qualities of different sorts of Wind. They take on the form of a scroll painting uses 3D and 2D assets from the collection and places the 3D leaves in conversation with the varied virtual winds.
Still, Breath, Whirl, Gale, Breeze and Blow